Interview Thursday, 14 May 2026 Kahn High Jewellery: The Neon Vibrations of Paraíba Thursday, 14 May 2026 Monday, 11 May 2026 Gemstones, Rarity and Value: Bvlgari’s Strategy Monday, 11 May 2026 Monday, 27 April 2026 GemGenève, between the Culture of Tradition and Future Talents Monday, 27 April 2026 Monday, 13 April 2026 IEG and its Jewellery Marketplaces Monday, 13 April 2026 Monday, 23 March 2026 Artistic Jewelry According to Barbara Lo Bianco Monday, 23 March 2026 Monday, 23 February 2026 Can We Still Talk About Creative Freedom in Jewelry? Monday, 23 February 2026 Monday, 09 February 2026 Cartier and the Myth: on Show at the Capitoline Museums Monday, 09 February 2026 Monday, 09 February 2026 London Jeweller: when Gemology goes Social Monday, 09 February 2026 Monday, 26 January 2026 Manufacture, Identity and Strategy: Mattioli Inaugurates a New Phase Monday, 26 January 2026 Monday, 12 January 2026 Vicenzaoro January 2026 Kicks Off Monday, 12 January 2026 Monday, 15 December 2025 Jewelry and New Generations: Bea Bongiasca's Vision Monday, 15 December 2025 Monday, 24 November 2025 Charlotte Chesnais: Jewelry as a Style and Success Icon Monday, 24 November 2025 Monday, 10 November 2025 Vicenzaoro January 2026, the Start of a New Course Monday, 10 November 2025 Monday, 27 October 2025 Vanessa Fernandez's Handmade Jewelry Monday, 27 October 2025 12345»Last
Monday, 27 April 2026 GemGenève, between the Culture of Tradition and Future Talents Monday, 27 April 2026
Monday, 23 February 2026 Can We Still Talk About Creative Freedom in Jewelry? Monday, 23 February 2026
Monday, 09 February 2026 Cartier and the Myth: on Show at the Capitoline Museums Monday, 09 February 2026
Monday, 26 January 2026 Manufacture, Identity and Strategy: Mattioli Inaugurates a New Phase Monday, 26 January 2026
Monday, 15 December 2025 Jewelry and New Generations: Bea Bongiasca's Vision Monday, 15 December 2025
Monday, 24 November 2025 Charlotte Chesnais: Jewelry as a Style and Success Icon Monday, 24 November 2025
